• Inside Narkomfin jo pixel No responses 2009-05-06
  • A.A.Deineka Among the occupants of the Narkomfin building, during the first year there was also Alexander Aleksandrovich Deineka, painter, graphic, member of the Oktober group, author among other works of the wonderful mosaics of the Majakowskaja station of the moscow metro. jo pixel No responses 2009-05-05
  • Detroit A prototype of the blue collar city, archetype of the Fordist industrial organization of work , Detroit has been strongly affected by the industrial restructuring since the seventies and is an epitome of transformations and contradictions of the late-modern shift towards symbolic economies. The Fordist model of industrial organization has been a reference point for […] jo pixel No responses 2008-12-10
  • Alamar – La Habana It is the first step, a sort of number zero:  “Doble Forza” is a pilot already realised with low budget and technical standard. Alamar, is a new city built in the 1970s in the outskirts of La Habana, mostly with rudimental prefabricated technologies inherited by the soviets; it has been put in place through self-costruction […] jo pixel No responses 2008-12-09
  • Sulukule – Istanbul Thanks to the lucky event of being awarded at the local International Architecture and Urban Film, in October we had the opportunity to shortly visit Istanbul. Jopixel has been guided by our friend the activist and architect Asli Kiyak Ingin to visit Sulukule, the most ancient Roma neighbourhood in the world. It has been host […] jo pixel No responses 2008-12-08
  • Alamar diario Disorientamento. Il paesaggio è spiazzante, le tipiche edificazioni ripetitive della periferia sono stemperate  in una atmosfera rurale caraibica. Gli spazi vuoti e normalmente irrisolti, qui diventano giardini, orti, estensioni di lamiera. Alla serialità delle architetture risponde la personalizzazione attraverso il lavorio quotidiano degli abitanti. Le inferriate alle finestre di ferro battuto o di tondino da […] jo pixel No responses 2008-06-07
  • La Habana INT/EXT March 2006. Invited to attend to the Novena Bienal de La Habana, we spent five weeks in Cuba in  spring 2006, preparing a live media performance to be presented in the context of the international art event. That provided the opportunity to explore a different incarnation of the late modernist periphery, which is a […] jo pixel No responses 2006-03-07